March 6th there will be a #SonOfAPitch Twitter Pitch Party! What is a Twitter Pitch Party? How do you pitch? Why do you pitch? Here’s the quick and dirty details for all the Twitter Pitch debutantes out there!
What is it? A Twitter Pitch Party is an online event organized by writers, editors, and agents around a date and hashtag. During the event authors post a pitch (or logline) for their book with the appropriate hashtag. If an agent or editor likes the pitch, they’ll let the author know. The author will then send in a query along with requested pages. These queries will get top priority from agents and editors.
How do you pitch? It’s as simple as putting your pitch on twitter with the right hashtag! Going to be away from the keyboard all day? Use Tweetdeck to schedule tweets!
Why do you pitch? Did I mention that editors and agents give pitching authors priority when reading queries? It’s nice to get feedback fast. Over 60% of my full manuscript requests came from pitch parties. Even though I wound up with an agent I found through a traditional query process, the feedback from other agents helped me refine my early query.
Do’s and Don’ts:
Do use the hashtag.
Do be polite to other authors and anyone on the hashtag (but feel free to report spam).
Do keep a positive attitude.
Don’t spam the hashtag. As a general rule, tweet once every two to three hours (4 total tweets for the event).
Don’t tweet more than one book.
Don’t tag agents with your pitch.
Don’t pitch on twitter unless you are participating in an event.
Etiquette for authors on Twitter:
There’s a lot that can be said here, but let’s keep it simple: your twitter feed is part of your brand. Everyone – from potential agents to potential readers – will see your feed. So put your best foot forward. Make sure that someone reading your feed finds the same tone there that they will in your books. You want to keep a nice balance of book-related tweets (NASA tweets for the SF crowd, Teen Vogue tweets for the YA crowd, archaeology or Victoria tweets if you write historical fiction, ect), personal-tweets (pets… people love pets), and promotion (actual ads for your book should take up less than 10% of your feed).
Even before you publish, you want to make your Twitter feed (or whatever social media feed you use as your Home Base) a place that reflects you, your style, and welcomes new readers to stop by and say hi.
What you do put on Twitter: a real avatar (no eggs!), a good bio, a link to your website/author page, retweets of things that interest you, conversations with other authors, pictures of pets, pictures of your bookcase, pictures you, information about cool stuff in your hometown (I’ll be tweeting about the Iditarod this week), information about the research you’re doing for a new book, #WIPfire with a sentence from your latest story, fun stories about two people sharing a found wine bottle on the sub ride home.
What you don’t put on Twitter are things like: your address, your phone number, nude pics, complaints about how slow an agency is responding to your query, rants about how you could do so much better in self-publishing while querying, brag posts about how you’ve never read a genre but are totally going to rewrite it because you are a genius, or hate-filled screes against anyone (with exceptions for football season and March Madness… sports rants can be forgiven).
What if an agent or editor starts chatting with me on Twitter? Be friendly and keep talking. I’ve met some fabulous people who offered me stellar advice for free just because we happened to be Twitter-friends. Done right, social media can be an amazing networking tool, especially for people who live in remote locations (like me!), are anxious in crowds, can’t get to cons, or otherwise wouldn’t be rubbing elbows with people in the publishing industry on a regular basis.
Got questions? Hit the comment box and let me know what you’re worried about.