Painting Sunsets and Other Changes

 

Painting done by me following the tutorial by Cinnamon Cooney on Youtube. https://www.youtube.com/watch?v=gP7im-6HfJw

Let’s pretend for a minute that I was a painter instead of an author, and that this painting of swirls and leaves was my first book.

This is the painting I went into the world with. This is the painting I found an art dealer with. This is the painting I debuted with. This is the painting everyone knew me for.

I love this painting. The picture is bad (sorry, there’s no natural light in Washington right now). But… I love this painting. I love the colors. I love the way it pops on my wall. I love the blues, and the purples, and the vibrant sunset in the background.

And I want to paint more sunsets.

My literary agent loves this painting too. She loves the touches of bright colors, the intricacy of the leaves, the mix and melange of colors in the swirls.

She wants more swirls.

The TIME AND SHADOWS series is like this painting. It’s a mix of thriller and science fiction. It’s considered quirky because there’s a Hispanic female protagonist who tries not to use a gun, time travel, dogs, and mentions of religion and cloning. It isn’t hard SF and it isn’t Crime Thriller either. It’s a blend of two of my favorite things.

When it came time to write the next book, I struggled to pin down what I wanted. I finally settled on science fiction, and in particular spaceships. I love spaceships. I love cheesy action movies. I love heist movies. I love books like THE STAINLESS STEEL RAT and OFF ROCK, and I wanted to write a fun adventure with spaceships, heists, and wild characters doing zany things. I wanted something fun. I wanted the sunsets.

My agent really loves thrillers. She loved Sam’s intellect, her willingness to stick to things, her curiosity. She wanted more thrillers.

And so, at the end of 2016, my agent and I decided we weren’t moving in the same direction any more.

This is normal. Literary agents have their own career arcs, their own goals, and their own likes and dislikes that change over the years. Authors change over the years. We move between genres, change tones, change focus, quit writing and start again. It is never wrong to grow, change, and set new goals. In fact, it’s really healthy.

So my agent and I parted ways, still friends, and still wishing the best for each other. I still cheer on my former agency siblings. They still cheer me on.

I spent 2017 writing something new, exploring deep space with my band of quixotic rogues, and at the end of 2017 I sent off a query for the first time in four years.

Where does this story end?

I don’t know yet.

The book is out with agents. Some have queries waiting for them. Some have pages to read.

THE DAY BEFORE spent 18 months on query. The first query went out in 2013, a request for pages from a pitch contest. I sent the last query (an R&R to my future agent) in 2014. Signed with my agent in 2014. Sold three books in 2014. Sometimes publishing can move really, really fast. Sometimes it moves very, very slow.

While this book is out I’m working on another one, because that’s how you have a publishing career. You don’t pin all your hopes and dreams on one book. You write a book. You write another book. You keep writing books. Some of them sell, some of them get abandoned. Some of them sell and fade to obscurity. Some of them come out of nowhere to hit the lists. Some of them earn out their advance – and the time you put into them – some don’t. The point is, you don’t know until you write the book and throw it out into the world.

So make like Nora Roberts and keep writing. ūüôā

Query Help Available Now!

Every book needs an editor. Whether you are an indie author building your self-publishing empire, a niche author working with a scrappy small press, or a wordy warrior scaling the dangerous peaks of traditional publishing – you will need an editor.

Over the course of your career you will probably have several editors. Over the course of a book you will have at least two editors with most publishers (a content or developmental editor and the line editor). For an author who is serious about their career these aren’t luxuries, editors are the secret prep step that makes readers come back for each dazzling story you write.

Getting your story in front of an editor is the hard part. If you’re an indie author you can hire an editor (like me – hi!) to do the work, but for the other avenues of publishing you need to query and get your book under contract first. The best way to do that is with a great query (it reads like the back-of-book blurb) and fantastic opening chapters. If your query isn’t getting the results you want it may need some professional attention.

I offer affordable rates for submission packet critiques, query critiques, contest critiques, and even pre-write consults if you want want to bounce an idea off an industry professional while you’re getting started. Openings are available now, so why not turn your story into a success story? Hire the help you need today!
To reserve a space please contact me at liana.brooks1@gmail.com

Submission Packet Critique (synopsis, query, and first 5 pages) $25
Indie Author Special (blurb, 5 twitter pitches, and first 5 pages) $25 
First Chapter
 (up to 20 pages)  $50.00 and a 1 work-week turn around time
Contest Critique (first 50 pages + blurb) $100
Full Manuscript Critique $1.00 a page minimum of 200 pages
Prewrite Consult (one-on-one time to help you develop the story before you write) starting at $20
A La Carte (add-ons and package deals) starting at $5
Emergency Fee to Jump the Queue  $50
* all page counts are double-spaced, Times New Roman, size 12 font, formatted for Microsoft Word *
To reserve a space please contact me at liana.brooks1@gmail.com