No Manuscript? No Problem! Carina Press is taking proposals!

LOVELIES! This fabulous announcement came across my Twitter feed this morning and I want to share so you can have a look. Being able to pitch a book on proposal, and sell it like that, is a great opportunity if you know you can write on a deadline and work better knowing someone is expecting your book. If that sounds like you, go check out Carina Press’s proposal and see if this is the lucky break you were looking for!

Confused about what the difference between Paranormal Romance and Urban Fantasy is? There’s a great break down HERE.

From April 13th to June 4th, Carina Press is accepting proposals for paranormal romance.

Maybe you’ve heard that no publishers want paranormal, that paranormal is dead or that readers aren’t buying paranormal romance? Wrong! Carina Press is actively acquiring and publishing paranormal romance—and readers are buying it. So bring us your shapeshifters, your vampires, your fae and demons and witches. We want to read your paranormal romance proposals, because we love this genre and readers do too!

Details on this limited-time-only proposal call can be found below. You can also keep an eye on our blog and Facebook and Twitter pages to stay up-to-date on all our submission calls.

Submission link:

Closing date: June 4th, 2017 (all submissions due by 11:59pm Eastern on this date)

Requirements for this proposal call:

  • Your book must fall within the paranormal romance subgenre, but can be of any heat level or pairing, including same-sex/multiples.
  • Paranormal elements should play an important role in story development, plot and characterization.
  • We will look at paranormal romances in different time periods and unique settings—they do not need to be contemporary or based in the US.
  • Your proposed book must be a completely new work and not have been previously published in any form, whether self-published or released via digital or traditional publisher. Only new material will be considered during this submission call.
  • You cannot submit a project you have submitted to Carina Press before.

Materials needed to participate:

  • A query letter with a 1-2 paragraph book description, plus an introduction of yourself as an author/your writing and publishing history.
  • Three complete, ready-to-send chapters of a WIP. If you have more than three chapters, you can certainly send more!
  • A thorough, well-thought-out synopsis that is at least 5 pages long. The synopsis is extra important with a proposal because we need to see progression of plot, character arc, storyline and, also really crucial—how it ends! See more about writing a synopsis here.
  • You may submit more than one project! However, please submit only one proposal per series.

How to submit:

  • If your book meets the guidelines above and all your material is ready and properly formatted, please use this link to submit.
  • Direct your submission to the editor who has advertised an interest in seeing manuscripts like yours! In doubt? Direct your submission to Editorial Director Angela James or Senior Editor Kerri Buckley.
  • We will consider all proposals that fulfill submission call requirements and are received by 11:59pm EST on June 4th, 2017.
  • All eligible proposals will receive a response within 12 weeks of submission.

Not going to be ready in time? Not to worry. We remain open to full manuscript submissions all year long via, and more submission and proposal opportunities are coming in 2017.

For questions about this call for submissions, please email us at

For more information about Carina Press, and to read our submission guidelines, please visit


Need help getting your proposal ready? Ask me about editing specials!

Mother of Teens: How To Write With Little Kids At Home

On one of the writing forums I belong to someone asked how anyone could possibly write with little kids around. What they really wanted to know was: CAN YOU WRITE WITHOUT PUTTING YOUR KIDS IN DAYCARE? Not everyone has a partner, nearby family, or the money needed to create a kid-free environment when they want to write.

There is a myth that you can’t write while you have little kids around. Or that you need to have a partner who will take care of the entire household while you sequester yourself with your muse to commune with pen and page.

And, like all other myths, it’s a big, fat lie told by some author desperate to get out of watching Frozen for the fifteen-millionth time.

You can write with kids at home. You can write with kids in the room. You can write with kids on your lap.

My first story (Even Villains Fall In Love) came out the same year my son was born. That means my two youngest kids have never known a time when Mommy wasn’t a published author. I wrote a trilogy between the time my daughter was born and the year she turned four. Four kids, three cross-country moves, and three books. If I can pull that off, so can you.

1 – Set reasonable goals and set acceptable reasons to miss writing. If you stress out because of impossible goals, or because you’re trying to write with a newborn, you’ll make yourself miserable. Don’t.

2 – Steal what time you can. When the baby naps, while CARS is playing for the 3rd time today… I’ve finished novels with babies nursing or a toddler on my lap. Use a boppy pillow and run spellcheck.

3 – As kids hit the Needy Years (3-5) where they nap less and need attention, make a writing space for them. My 5yo isn’t in school yet, but she’ll give me a quiet 30 minutes if I give her a dry erase board, markers, paper, and a place to sit near my desk. Thirty minutes usually means 500-1000 words. Thirty minutes daily means a novel is finished in 3 months.

4 – Prep to write so that when you sit down to type that is all you need to do. Outline, use note cards, use sticky notes, whatever… just make sure that computer time is spent writing, not trying to think. Check out the plotting session I did to get you started. 

5 – Give yourself 30 minutes a day. You might get 300 words, you might get 1000, but with 30 minutes a day (weekends off) you can write a novel in 6 months.

How To Write A Synopsis

One of the things I’ve noticed while editing for clients and helping with Son Of A Pitch is that many authors are intimidated by the synopsis. This is a standard part of most query packets and something that many authors hate writing.

A synopsis is just that: a brief summary of a book. It’s usually between 2-5 pages in length and dull as dirt. Because it is very challenging for authors to summarize their book, and because the synopsis is a very dry read, many people dismiss it as unimportant. They’ll dash off a synopsis, run spellcheck, and call it a day. That’s not the way to get an agent or sell your book.

The synopsis allows agents to see a summary of your book without reading the full manuscript. It’s a shorter time investment, which is better for business, and it allows them to see if your plot jumps the shark thirty chapters in. It also tells an agent where your marketing skills are at.

If you can make a synopsis with few adjectives and limited description exciting, you’ll be just fine. If you can’t, well, the agent has to decide if they want to invest the time in helping you learn.

Here’s the dirty little secret most querying authors don’t know… your query and synopsis writing can make or break your career.

I don’t mean in terms of finding an agent either. A query becomes the basis for your back-of-cover blurb, i.e. that thing that actually sells your books to readers. The only difference between a query and a back-of-cover-blurb is you add the word count to the query. Even Indie authors need to know how to write one well.

A synopsis becomes the basis for selling your second book. After you’ve sold your debut novel it is common for agents to try and sell your next novel on spec. That means you write the blurb, the synopsis, and the first three chapters/30 pages of a new novel and try to sell it on that alone. In the case of a multi-book deal like the one I had for the Time and Shadows series, I had THE DAY BEFORE written and I sold the other two after I sent a synopsis in for them. The synopsis was the basis for the outline when I was writing. It was how I proved to my agent and editor that I had some idea where this series was going.

The sooner you learn to write a good synopsis, the better off you’ll be.

– Finish the book
– Summarize each scene with one sentence
– Add additional information that is relevant for understanding character choices (fears, motivations, goals)
– Read through to make sure the plot and motivations are clear
– Add any words necessary to tie the sentences together (next, then, after)
– Edit for typos and grammar errors

One thing I have found DOESN’T work is trying to explain the book’s backstory in the first chapter of the synopsis. Case in point, the original synopsis for THE DAY BEFORE vs the synopsis that I sent to Marlene Stringer.

Synopsis 1: This was before the R&R that killed Sam’s fiancé. Notice how dull it sounds. This isn’t the opening chapter either. This is just filler.  

Samantha Rose is a junior agent with the Commonwealth Bureau of Investigation, the main government body responsible for investigating violent crimes. While the Commonwealth borders stretch from the Panama Canal to the Arctic Circle, the bureau doesn’t see a reason to station Sam anywhere fun after she took personal leave to care for her father within six months of being hired. For her sins, she’s stationed in Alabama District 3 with a misogynistic boss who still thinks the United States shouldn’t have joined the Commonwealth.

Sam is bound and determined to handle every case with cool efficiency, no mistakes allowed. If Senior Agent Marrins had nothing to complain about, he can’t deny her promotion and the transfer to Washington DC where Sam’s fiancé lives. When she’s told to wrap up a Jane Doe case that looks like a dumped clone to investigate the vandalism at a government-funded lab, Sam thinks she’s found her way out of the rural south.


Synopsis 2: Written over a year later. It incorporated advice from agents, workshops, and fellow authors. It gets to the book right away, focuses on the plot, and shows the agent what the story was. 

When a trucker finds a dismembered body on the side of the road junior agent SAMANTHA ROSE is the one responsible for finding a name for Jane Doe. Senior agent ROBERT MARRINS thinks the dead woman is clone. The coroner, LINSEY MACKENZIE thinks Jane was tortured to death but her fingerprints don’t match anyone in the database. MacKenzie’s fingerprints were found on the body, but this is dismissed because everyone believes he forgot to put his gloves on when Jane first arrived at the county morgue.

Sam is also assigned to look into the break-in at Novikov-Veltman Nova Laboratory by her boss, Senior Agent ROBERT MARRINS.

At the lab, DETECTIVE ALTIN walks Sam through the crime scene. Sam is introduced to DOCTOR EMIR and to Doctor Emir’s assistant HENRY TROOM. Sam is concerned by the disappearance of the two security guards, MORDICAI ROBBINS and MELODY CHIMES. It looks like the lab break-in is an inside job.


Can you see the difference?

A good synopsis may be dull in places, but it still sells the story. Happy writing!

Need more help? A query packet critique costs $25 and includes a full synopsis critique. 

What’s Ahead In 2017

If 2016 was the year I was busy behind-the-scene, 2017 is the year you get to finally see all those stories I’ve been teasing for the last twelve months. Big things are coming and I’m excited.

THE DARKNESS AND GOOD ANTHOLOGY – a collection short stories written by Amy Laurens and myself. Most of these stories were first published on the Darkness & Good blog. The stories in the anthology have been edited, and in some cases expanded.
BODIES IN MOTION – In war, Selena Caryll and Titan Sciarra were bitter enemies. Now that the fleet is grounded and fighting for survival these two find that the best future is the one the build together (if they don’t kill each other first). This is a SFR novella that kicks off the new Newton’s Law universe.

FOUNDATION STONES – Captain Kamara of the King’s Guard would rather see the king’s nephews hang than consider any of them as a replacement for her aging, childless liege, but when one of them frames her for the murder of the king… well, the enemy of her enemy is a man she’ll at least plan a prison break with. This is a fantasy novel that will be serialized on the blog over the summer.


FOUNDATION STONES – After being serialized on the blog I’ll collect the chapters, run through one more edit taking into account any comments left by readers, and publish the ebook in winter 2017.


Where am I moving this summer??? I still have no clue. My husband’s contract up here is ending and the people we’re renting from want to sell the house in July, so one way or another, we need to move in June. We have applications in across the country (and a few overseas) but I honestly have no idea where I’ll be at the end of 2017.

When are you going to write that one book? From Even Villains 4 to questions about Prime Sensations (will Kaleb’s brother get his own story?) there have been a lot of questions about adding to existing series. EV4 is on the schedule for writing after the move, but a lot of what get published in the fall and early 2018 depends on things in the background that I’m not supposed to talk about yet. The sooner a book sale announcement is made, the sooner I have to go edit that hush-hush novel. Take that as you will.

The other major factor here is that, this fall, my youngest starts kindergarten (you have no idea how weepy and old I feel saying that). I won’t just be in a new city, but I’ll have a whole new schedule to work with, one that allows me to have interruption-free writing time (theoretically… we all know how Murphy’s Law works in these situations). I’m keeping my fall schedule open to possibility. We’ll see what happens, where I am, and what deadline have magically appeared before I make any promises.

A Look Back At 2016

January 1, 2017, marked my two-year anniversary in Alaska. I spent 2016 learning to drive on ice (and not die), dodging moose (without dying), and chasing whales (while avoiding death). There was a bit of a theme in 2016.

I only had one book published in 2016, DECOHERENCE, but there was a lot going on behind the scenes. Let’s look at the writing stats.

Total Words Written In 2016: 364,000
Total Words Edited In 2016: 1,266,000
Best Writing Month: April
Best Editing Month: September
Worst Writing Month: July
Worst Editing Month: October
Projects Finished: 1 (Decoherence)
Projects That Will Be Finished Q1 2017 – 2 (Free Fall, Bodies in Motion)

Conclusion: I survived the winter slump that crushed me in 2015, yay! But October is consistently bad for me. There’s always a crush of business things to do, and a lot going on with school and family. But, my word count is improving and if I wasn’t writing daily, I was writing consistently. Honestly, even though it wasn’t my most productive publishing year, I think it went well. My writing improved a lot over the year. I finally figured out how to write a High Concept Pitch. And I think I’ve set myself up for a very successful 2017!

So… how was 2016 for you? Did you survive, or are you only reading this post because your crypt has wifi?



Breaking Through Writer’s Block (the expanded post)

Originally this was written for Savvy Authors in 2013, and then Leslie brought it back November 16th because she was struggling with NaNo. Reading through it, I saw a few places where I could expand on ideas better, so here is the revised edition of Breaking Through Writer’s Block!

I don’t believe in Muses.

I’ll never blame a magic fairy’s disappearance for why I can’t get my writing done each day. But I do believe in writer’s block.

Sometimes it’s very obvious why you can’t write: there’s a cat in your lap, a kid sitting on the keyboard trying to color on your face, or the power’s gone out. In these cases, you feed the cat, distract the kid, and grab pen and paper to plot out your next scene. These are easy to see problems with equally easy fixes. Other forms of Writer’s Block aren’t as easy to identify or cure. Writer’s Block comes in three basic forms: Physical, Emotional, and Logical.

Physical Writer’s Block

This doesn’t mean the keyboard is missing, it means there is something physically wrong with the author or the environment. Fatigue, hunger, and illness all make it hard to write.

Signs you have physical writer’s block:

  • Staring at the screen yawning
  • Thinking of food but not the next scene
  • Shivering
  • Sweating
  • Coughing, vomiting, doped up on medicine
  • Distracted by things around you

When you hit a stumbling point where you can’t work, do a quick self-diagnostic and try to remember when you last ate a healthy meal. A real, all-five-food-groups meal that provides the brain with energy.

If it’s been more than four hours it’s probably time to hit save and grab some food. If you’re yawning and rubbing your eyes take a nap or go to sleep. Tired writing is bad writing.

Shivering, sweating, or distracted? Adjust the temperature or location.

Loop on cough meds? Call it a night and go watch a movie while you eat an orange for the delicious vitamin C!

Physical writer’s block is something you can walk away from. Get up, move, address your physical needs, and the words will come back. Your brain is not a machine, it can’t work at 100% for 24 hours straight. Giving your body a break is the quickest way to fix this form of writer’s block. Food and good nap will solve 90% of your problems, trust me, it’s been scientifically tested by millions of authors.

Self-care is not selfish. Beating your body up, or neglecting it, isn’t good for you in the long term. Or for your career. Authors joke about living off coffee and alcohol, but at the end of the day it is a joke. Your brain is a delicate organ that needs certain things to do its job correctly. Stay hydrated. Get the sleep you need. Take regular breaks to stretch, walk, and get some sunlight. Give your hands a nice massage after a long day of typing. And make sure wherever you write is comfortable and supports a healthy posture.

You have a bright future in front of you; you should be doing everything you can to make sure the body you’re traveling in is as healthy as it can be. (That sounded less creepy t

Logical Writer’s Block

When everything is right with the author and the environment sometimes the story creates the stumbling block.

Signs you have logical writer’s block:

  • The scene is wrong but you can’t say how
  • You can’t picture where the scene is going
  • You reread the scene and it’s boring you
  • You are ready to set the manuscript on fire
  • Your crit partner asked a question about a plot point and you burst into tears

Don’t fret, plotter or punster this happens to the best of us. Everyone will one day write themselves into a corner and not know what to do. Save your work, close the manuscript, and take a deep breath. Now is the time to do a triage.

Start with the most basic question: Why do you love this book and need to write it? If you don’t love it, put the book in the retired book folder on your computer and move on. There is no time for you to spend months writing and editing a book you don’t love.

What scenes are you excited to write in this book and why? Even if you’re pantsing this thing and making it up as you go along there are scenes you know you’re looking forward to writing. Analyze why you love those scenes. Susan Dennard calls these Magic Cookie Scenes. Every chapter should be built around a scene that you really, really want to write. The more fun it is for you to imagine, the more likely you are to write the scene. If you’re not feeling it… cut the scene and find another way to write that information.

Is the outline holding you back? This is a common problem for new authors and die hard plotters. Outlines are great but sometimes books outgrow them. Outlines can remove the element of surprise and prevent plot twists. If the book has outgrown the outline, trash the outline. Make a new one. Or don’t. Some books are better off written as spontaneous acts of creation.

Do you not have an outline at all? Grab the pen and paper. Write down the worst things that could happen to the character (make a list of about 20 – go wild!) and then decide what absolutely must happen so you can get the ending you want. Plot as least as far as your next plot twist. If you don’t like outlines try a plot box, an Excel sheet, or post-it notes on the wall. Do whatever you need to do to visualize the story.

Are your villains doing their work? Poorly written villains are a death sentence for a manuscript. Take a good hard look at your villains. Are they the heroes of their own story? Do they have good motivations? Do they have a cunning and intelligent plan? Are they doing their work or do you have a cardboard cut out and a hero punching at shadows.

Do you have all four plot twists? Plot twists should come at irregular intervals throughout the book. In a 90,000 word manuscript the plot twists would come at 10k, 35k, 60k, and 88k. That last twist at the end is the satisfying closure and the lead to the next book in the series. If everything is going according to the hero’s plan than you need to shake things up a bit. Let the hero lose a battle. Kill the beloved family pet. Burn the safe place to the ground.

If you get through all of this and are still having problems you need to consider that you may have a dead book on your hands. It’s a sad truth that 90% of what all authors write will never hit the shelves. One in ten started manuscripts becomes a finished book. One in ten finished books becomes a published work. Don’t fall into the trap of letting a dead novel keep you from moving forward with your writing. And, remember, even if you trunk this book for a year or ten you can always come back to it at a later date.

Emotional Writer’s Block

The number one cause of writer’s block is fear.

Signs you have emotional writer’s block:

  • You’ve muttered the phrase, “I suck at writing.” at least twice today.
  • You’ve just read an amazing book and know you will never compare.
  • Someone is pressuring you to quit writing and get a real job.
  • You are pressuring you to quit writing and get a real job.
  • You’re worried the book won’t be good enough.
  • You’re not sure you can handle the pressure of deadlines.
  • You’re not sure what you’ll do after this book is done.
  • You have a habit of not finishing projects you’ve started.
  • You are a perfectionist or recovering perfectionist.
  • You’ve recently received a rejection or hyper-critical critique of your work and you’re questioning everything you’ve ever done.
  • Your worrying about low sales.
  • Your obsessing over market trends.
  • You’re comparing your published work to the bestsellers and convinced your new book won’t make the cut.
  • You’ve started browsing online job forums looking for an opening as a scorpion petter.

Fear of the unknown is the leading cause of writer’s block. You get so tangled in the What Ifs and Maybes that you can’t focus on the story.

Perfectionism insists the book will never be perfect. And, I’ll be honest, no book ever is. No author alive looks at their published novel and doesn’t see something they want to change. I know, I’ve asked around, we’re all like that.

Concerns that you’ll fail, that you’ll never be as popular as That Big Name Author, or never make a living off writing make you question if you should spend so much time with fictional people. We’ve all been there. Most authors visit this place at least once a book, even the Big Name Authors who you think sip champagne as bestsellers magically appear on their hard drive. Doubt is part of art.

All forms of creation involve a stage where the creator questions themselves, their art, their intentions, their future. The trick is to not let this moment of self-reflection keep you from creating something beautiful.

Look at the facts: rough drafts are ugly buggers and they always will be, no one makes a living off of writing until they have at least 5 books on the shelf (and even then it’s a stretch), no one else is going to write the book you are thinking of, you can’t be anyone else, no one else can be you, and if you love this book you should keep writing.

Sure, there are reasons to quit. There’s a time and a season for everything in life and sometimes you had to admit this isn’t a writing season for you. Most authors having taken a year or ten off for everything from dabbling in other careers to going to college to just not wanting to write. If that’s where you’re at, embrace it!

But if writing is what you love – if sitting down to write each day makes you a better, happier, healthier person – than toss your doubts in the trash can and keep writing. The world wants to read your story.

Friendsgiving Feedback… WIN A FREE QUERY CRITIQUE!!!

Among so much bad news, we are all in need of a ray of light. I figured the least I could do is put together a short critique workshop to raise spirits and maybe help some writers. 

So a small group of five published authors has come together to offer query critiques for the next two weeks to culminate in a twitter chat about querying, publishing, and just any questions we might be able to help you with.

We will do a query critique every day starting on November 21st and plan to give first priority to marginalized writers, “own voices” stories, and stories with diverse characters, worlds, and challenges.

Your manuscript does not have to be completed. You just need a completed query letter. A large group of winners will be randomly drawn from the rafflecopter and their query letters requested. Then each of our participating authors will choose from the available entries and post their critique on their blog or on mine along with their feedback.

Hopefully we can all learn more about the writing process from the breakdowns of these query letters. 

Our twitter chat will be December 2nd at 4:00 pm and 8:00 pm EST under the hashtag #FFChat and will last an hour. We’d love you to post some questions ahead of time down in the comment section. 

There’s not much time so enter the rafflecopter quickly. And please help us spread the word under #FFChat. Links to the finished critiques will be given under that hashtag also.

Here is who we are:

Emily B. Martin

Park ranger by summer, stay-at-home mom the rest of the year, Emily B. Martin is also a freelance artist and illustrator. An avid hiker and explorer, her experiences as a ranger helped inform the character of Mae and the world of Woodwalker. When not patrolling places like Yellowstone, the Great Smoky Mountains, or Philmont Scout Ranch, she lives in South Carolina with her husband, Will, and two daughters, Lucy and Amelia.



Liana Brooks

Liana Brooks writes science fiction and sci-fi romance for people who like fast ships, big guns, witty one-liners, and happy endings. She lives in Alaska with her husband, four kids, and giant mastiff puppy. When she isn’t writing she enjoys hiking the Chugach Range, climbing glaciers, and watching whales.

You can find Liana on the web at or on Twitter as @LianaBrooks. Goodreads Author Page.

Laura Heffernan

Laura Heffernan is living proof that watching too much TV can pay off: AMERICA’S NEXT REALITY STAR, the first book in the REALITY STAR series, is coming from Kensington’s Lyrical Press in March 2017. When not watching total strangers participate in arranged marriages, drag racing queens, or cooking competitions, Laura enjoys travel, baking, board games, helping with writing contests, and seeking new experiences. She lives in the northeast with her amazing husband and two furry little beasts.

Some of Laura’s favorite things include goat cheese, Buffy the Vampire Slayer, Battlestar Galactica, the Oxford comma, and ice cream. Not all together. The best place to find her is usually on Twitter, where she spends far too much time tweeting about writing, Canadian chocolate, and reality TV. Follow her @LH_Writes. Laura is represented by Michelle Richter at Fuse Literary.

Sarah Remy
In 1994 Sarah Remy earned a BA in English Literature and Creative Writing from Pomona College in California. Since then she’s been employed as a receptionist at a high-powered brokerage firm, managed a boutique bookstore, read television scripts for a small production company, and, more recently, worked playground duty at the local elementary school.
 When she’s not taking the service industry by storm, she’s writing fantasy and science fiction. Sarah likes her fantasy worlds gritty, her characters diverse and fallible, and she doesn’t believe every protagonist deserves a happy ending.
 Before joining the Harper Voyager family, she published with EDGE, Reuts, and Madison Place Press.
 Sarah lives in Washington State with plenty of animals and people, both. In her limited spare time she rides horses, rehabs her old home, and supervises a chaotic household. She can talk to you endlessly about Sherlock Holmes, World of Warcraft, and backyard chicken husbandry, and she’s been a member of one of Robin Hobb’s longest-running online fan clubs since 2002.
 Find Sarah on Twitter @sarahremywrites and her Blog 

Michelle Hauck


Michelle Hauck lives in the bustling metropolis of northern Indiana with her hubby and two kids in college.  Besides working with special needs children by day, she writes all sorts of fantasy, giving her imagination free range. A book worm, she passes up the darker vices in favor of chocolate and looks for any excuse to reward herself. Bio finished? Time for a sweet snack.

She is a co-host of the yearly contests Query Kombat and Nightmare on Query Street, and Sun versus Snow.

Her Birth of Saints trilogy from Harper Voyager starts with Grudging and Faithful.  She’s repped by Marisa Corvisiero of Corvisiero Literary.

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What are you working on?

I realized I haven’t done a Catch Up! post in a while and there are people starting to email me about when the next book is out. So, so you can budget out your book buying plans for 2017, here’s what I’m up to.

newtonscradle-lgBODIES IN MOTION
The first book in this new SFR novella series follows the life of fighter pilot Selena Caryll after the war. She’s an outsider, lost and alone in a hostile world where her only friend may be the man she once tried to kill. It’s enemies-to-lovers in a world of tech implants, resource wars, and betrayal.

Right now BODIES IN MOTION is on track for a late spring release (March – May 2-17). If you liked Prime Sensations from the SFR BRIGADE ANTHOLOGY, you’ll love this series. And, no, that isn’t the cover for Book 1, that’s the cover for Book 3. There will be a call for early readers and reviewers in February or March 2017, so keep your eyes open!


My current NaNo novel is a space heist in the style of Firefly, Guardians of the Galaxy, and Leverage (because who doesn’t love Leverage?). The crew of the Free Fall have one job: steal the Crescent Diamond for a warlord before the warlord uses them for target practice. But when another thief gets there first, the crew turns to the mercenary Kila Tyler for help. The galaxy’s fastest talkers just met the galaxy’s best shot.

The first draft of this will be going to betas December 15th, and then it’s getting shopped. When I have news of a sale, I’ll let you know, but until then… *shrug* Just hope the little book makes waves!


Next summer I’ll be moving, and at this point we’re planning to drive through Canada. I don’t know if you’ve had a chance to look at a map, but that’s a long drive and I’ll probably be way too distracted by Tim Horton’s donuts to blog. The solution is putting up a free story on the blog that will be published as an ebook in November of 2017. FOUNDATION STONES is an epic fantasy set in a world of gods, dragons, and flying ships. Captain Kamara of the Moslyon guard must save the city from the king’s murderer, and her goddess orders her to protect a grumpy warrior named Tariq as she goes on the run.

FOUNDATION STONES is going to betas in March and may still be a little rough when it hits the blog. There will be an email address for you to send notes about typos, plot development, ect, and then it will be released in Winter 2017 after a final edit. On that note, if you spot a fabulous fantasy cover with a pair of black, sword-wielding warriors on it, let me know ASAP because I am having trouble finding an artist for this project. It isn’t Earth-based, but it also isn’t a predominantly white cast (because why should every fantasy in some made-up country have only white people?). I have several epic rants about finding black models for cover art, and the problem with all-white epic fantasy, and if you follow me on Twitter you’ve already seen those.

Heroes & Villains 4… you have been so patient. Various set backs, from Breathless Press closing to tight production schedules for DECOHERENCE, have kept this one on the back burner. The trick here is bringing this series back without losing anything the fans loved, but keeping it relevant and in line with all the writing I’ve done since the series started. There are three more books to finish this series, and I want to finish it. Right now, the plan is to write this next summer while FREE FALL is being shopped and between BODIES IN MOTION and Book 2 in that series.

I’ll be looking for early readers, sensitivity readers, and reviewers in September or October. If that sounds like something you want to do, make sure you’re signed up for the monthly newsletter so you can hear about these opportunities early.