No Manuscript? No Problem! Carina Press is taking proposals!

LOVELIES! This fabulous announcement came across my Twitter feed this morning and I want to share so you can have a look. Being able to pitch a book on proposal, and sell it like that, is a great opportunity if you know you can write on a deadline and work better knowing someone is expecting your book. If that sounds like you, go check out Carina Press’s proposal and see if this is the lucky break you were looking for!

Confused about what the difference between Paranormal Romance and Urban Fantasy is? There’s a great break down HERE.


From April 13th to June 4th, Carina Press is accepting proposals for paranormal romance.

Maybe you’ve heard that no publishers want paranormal, that paranormal is dead or that readers aren’t buying paranormal romance? Wrong! Carina Press is actively acquiring and publishing paranormal romance—and readers are buying it. So bring us your shapeshifters, your vampires, your fae and demons and witches. We want to read your paranormal romance proposals, because we love this genre and readers do too!

Details on this limited-time-only proposal call can be found below. You can also keep an eye on our blog and Facebook and Twitter pages to stay up-to-date on all our submission calls.

Submission link: https://carinapress.submittable.com/submit/82046/paranormal-romance-proposal-call

Closing date: June 4th, 2017 (all submissions due by 11:59pm Eastern on this date)


Requirements for this proposal call:

  • Your book must fall within the paranormal romance subgenre, but can be of any heat level or pairing, including same-sex/multiples.
  • Paranormal elements should play an important role in story development, plot and characterization.
  • We will look at paranormal romances in different time periods and unique settings—they do not need to be contemporary or based in the US.
  • Your proposed book must be a completely new work and not have been previously published in any form, whether self-published or released via digital or traditional publisher. Only new material will be considered during this submission call.
  • You cannot submit a project you have submitted to Carina Press before.

Materials needed to participate:

  • A query letter with a 1-2 paragraph book description, plus an introduction of yourself as an author/your writing and publishing history.
  • Three complete, ready-to-send chapters of a WIP. If you have more than three chapters, you can certainly send more!
  • A thorough, well-thought-out synopsis that is at least 5 pages long. The synopsis is extra important with a proposal because we need to see progression of plot, character arc, storyline and, also really crucial—how it ends! See more about writing a synopsis here.
  • You may submit more than one project! However, please submit only one proposal per series.

How to submit:

  • If your book meets the guidelines above and all your material is ready and properly formatted, please use this link to submit.
  • Direct your submission to the editor who has advertised an interest in seeing manuscripts like yours! In doubt? Direct your submission to Editorial Director Angela James or Senior Editor Kerri Buckley.
  • We will consider all proposals that fulfill submission call requirements and are received by 11:59pm EST on June 4th, 2017.
  • All eligible proposals will receive a response within 12 weeks of submission.

Not going to be ready in time? Not to worry. We remain open to full manuscript submissions all year long via bit.ly/write4cp, and more submission and proposal opportunities are coming in 2017.

For questions about this call for submissions, please email us at submissions@carinapress.com.

For more information about Carina Press, and to read our submission guidelines, please visit bit.ly/write4cp.

 

Need help getting your proposal ready? Ask me about editing specials!

Mother of Teens: How To Write With Little Kids At Home

On one of the writing forums I belong to someone asked how anyone could possibly write with little kids around. What they really wanted to know was: CAN YOU WRITE WITHOUT PUTTING YOUR KIDS IN DAYCARE? Not everyone has a partner, nearby family, or the money needed to create a kid-free environment when they want to write.

There is a myth that you can’t write while you have little kids around. Or that you need to have a partner who will take care of the entire household while you sequester yourself with your muse to commune with pen and page.

And, like all other myths, it’s a big, fat lie told by some author desperate to get out of watching Frozen for the fifteen-millionth time.

You can write with kids at home. You can write with kids in the room. You can write with kids on your lap.

My first story (Even Villains Fall In Love) came out the same year my son was born. That means my two youngest kids have never known a time when Mommy wasn’t a published author. I wrote a trilogy between the time my daughter was born and the year she turned four. Four kids, three cross-country moves, and three books. If I can pull that off, so can you.

HOW TO WRITE WITH KIDS AT HOME
1 – Set reasonable goals and set acceptable reasons to miss writing. If you stress out because of impossible goals, or because you’re trying to write with a newborn, you’ll make yourself miserable. Don’t.

2 – Steal what time you can. When the baby naps, while CARS is playing for the 3rd time today… I’ve finished novels with babies nursing or a toddler on my lap. Use a boppy pillow and run spellcheck.

3 – As kids hit the Needy Years (3-5) where they nap less and need attention, make a writing space for them. My 5yo isn’t in school yet, but she’ll give me a quiet 30 minutes if I give her a dry erase board, markers, paper, and a place to sit near my desk. Thirty minutes usually means 500-1000 words. Thirty minutes daily means a novel is finished in 3 months.

4 – Prep to write so that when you sit down to type that is all you need to do. Outline, use note cards, use sticky notes, whatever… just make sure that computer time is spent writing, not trying to think. Check out the plotting session I did to get you started. 

5 – Give yourself 30 minutes a day. You might get 300 words, you might get 1000, but with 30 minutes a day (weekends off) you can write a novel in 6 months.

How To Write A Synopsis

One of the things I’ve noticed while editing for clients and helping with Son Of A Pitch is that many authors are intimidated by the synopsis. This is a standard part of most query packets and something that many authors hate writing.

A synopsis is just that: a brief summary of a book. It’s usually between 2-5 pages in length and dull as dirt. Because it is very challenging for authors to summarize their book, and because the synopsis is a very dry read, many people dismiss it as unimportant. They’ll dash off a synopsis, run spellcheck, and call it a day. That’s not the way to get an agent or sell your book.

WHY A SYNOPSIS?
The synopsis allows agents to see a summary of your book without reading the full manuscript. It’s a shorter time investment, which is better for business, and it allows them to see if your plot jumps the shark thirty chapters in. It also tells an agent where your marketing skills are at.

If you can make a synopsis with few adjectives and limited description exciting, you’ll be just fine. If you can’t, well, the agent has to decide if they want to invest the time in helping you learn.

WHY DO AUTHORS NEED SYNOPSIS WRITING SKILLS?
Here’s the dirty little secret most querying authors don’t know… your query and synopsis writing can make or break your career.

I don’t mean in terms of finding an agent either. A query becomes the basis for your back-of-cover blurb, i.e. that thing that actually sells your books to readers. The only difference between a query and a back-of-cover-blurb is you add the word count to the query. Even Indie authors need to know how to write one well.

A synopsis becomes the basis for selling your second book. After you’ve sold your debut novel it is common for agents to try and sell your next novel on spec. That means you write the blurb, the synopsis, and the first three chapters/30 pages of a new novel and try to sell it on that alone. In the case of a multi-book deal like the one I had for the Time and Shadows series, I had THE DAY BEFORE written and I sold the other two after I sent a synopsis in for them. The synopsis was the basis for the outline when I was writing. It was how I proved to my agent and editor that I had some idea where this series was going.

The sooner you learn to write a good synopsis, the better off you’ll be.

HOW DO YOU WRITE A SYNOPSIS?
– Finish the book
– Summarize each scene with one sentence
– Add additional information that is relevant for understanding character choices (fears, motivations, goals)
– Read through to make sure the plot and motivations are clear
– Add any words necessary to tie the sentences together (next, then, after)
– Edit for typos and grammar errors

One thing I have found DOESN’T work is trying to explain the book’s backstory in the first chapter of the synopsis. Case in point, the original synopsis for THE DAY BEFORE vs the synopsis that I sent to Marlene Stringer.

Synopsis 1: This was before the R&R that killed Sam’s fiancé. Notice how dull it sounds. This isn’t the opening chapter either. This is just filler.  

Samantha Rose is a junior agent with the Commonwealth Bureau of Investigation, the main government body responsible for investigating violent crimes. While the Commonwealth borders stretch from the Panama Canal to the Arctic Circle, the bureau doesn’t see a reason to station Sam anywhere fun after she took personal leave to care for her father within six months of being hired. For her sins, she’s stationed in Alabama District 3 with a misogynistic boss who still thinks the United States shouldn’t have joined the Commonwealth.

Sam is bound and determined to handle every case with cool efficiency, no mistakes allowed. If Senior Agent Marrins had nothing to complain about, he can’t deny her promotion and the transfer to Washington DC where Sam’s fiancé lives. When she’s told to wrap up a Jane Doe case that looks like a dumped clone to investigate the vandalism at a government-funded lab, Sam thinks she’s found her way out of the rural south.

 

Synopsis 2: Written over a year later. It incorporated advice from agents, workshops, and fellow authors. It gets to the book right away, focuses on the plot, and shows the agent what the story was. 

When a trucker finds a dismembered body on the side of the road junior agent SAMANTHA ROSE is the one responsible for finding a name for Jane Doe. Senior agent ROBERT MARRINS thinks the dead woman is clone. The coroner, LINSEY MACKENZIE thinks Jane was tortured to death but her fingerprints don’t match anyone in the database. MacKenzie’s fingerprints were found on the body, but this is dismissed because everyone believes he forgot to put his gloves on when Jane first arrived at the county morgue.

Sam is also assigned to look into the break-in at Novikov-Veltman Nova Laboratory by her boss, Senior Agent ROBERT MARRINS.

At the lab, DETECTIVE ALTIN walks Sam through the crime scene. Sam is introduced to DOCTOR EMIR and to Doctor Emir’s assistant HENRY TROOM. Sam is concerned by the disappearance of the two security guards, MORDICAI ROBBINS and MELODY CHIMES. It looks like the lab break-in is an inside job.

 

Can you see the difference?

A good synopsis may be dull in places, but it still sells the story. Happy writing!

Need more help? A query packet critique costs $25 and includes a full synopsis critique. 

Upcoming Events And Release Dates And a New Series!

Hello, Lovelies! There are 72 days and counting until I start packing for my wild adventure traveling from Alaska back to the Lower 48 via ever-neighborly Canada. And some of you have been asking when my next book is going to be available to read. Here’s the summer release line-up and, good news!, it includes some free reading!

UPCOMING RELEASES

April 28 – cover reveal for BODIES IN MOTION (book one in the Newton’s Laws SFR series)
June 12 – BODIES IN MOTION released on the blog as a summer serial…. new chapters will go up Monday, Wednesday, and Friday throughout June and July.
September 26 – BODIES IN MOTION will be available in ebook and print
December – LAWS OF ATTRACTION (book two of Newton’s Laws)

UPCOMING EVENTS

April 10 – I’m writing something special for the HarperVoyager Science Fair! Details will be forthcoming… Look for #HVsciencefair on Twitter.
May 30 – Last Impulse Buy email before the hiatus
June 10 – I pack up my desktop and house. I will have spotty internet for the remainder of the summer but won’t be widely available. I’m hoping to keep Twitter updated as I travel.
July 15 – With luck, and if the stars align, I move into the new house and start unpacking.
August 1 – With luck, and if the stars align, I will be back, the Impulse Buy will be back, and regular blogging will resume.

 

ANSWERS TO QUESTIONS I KNOW YOU ARE DYING TO ASK

Where are you moving? I’m leaving the frozen north and moving to the gloomy northwest… the Seattle/Tacoma area to be specific. Where exactly in that area, I don’t know, I haven’t found a house yet.

Are you really going to be offline for a whole month? Possibly. I don’t know exactly when the movers will arrive but last time it took over four weeks for our boxes to make the trip. We were going Kansas -> Alaska in the winter, and this is a shorter boat ride to Seattle… but I still don’t know when the boxes will leave or when I’ll be able to move into the new house. Even after we move in, we have to wait to get the internet hooked up and the list of problems goes on. Four weeks is not that long when you consider I’ll be driving for about eight days.

What do you mean “Summer Serial”? There are a number of ways to release new books. There’s the classic big-ad-push that comes with big presses, there’s the targeted releases you find at small presses and from indie authors, there are soft release, and there’s serials… Serializing a story isn’t a new idea. It’s what comics do. It’s what Sir Arthur Conan Doyle did to publish Sherlock. It’s a format that appeals to devoted fans and casual readers alike because you get to try the story for free. If you don’t want to read all the chapters, you don’t need to. If you want to wait until it’s all available for free, you can. If you want to buy the book, that’s an option too.

I’ve never tried serializing a story before, and I knew I wanted to do something to make up for my online absence this summer. A serial story sounded like a good way to bridge the gap between houses. You’ll have something to read, and I’ll have your comments to look forward to when I get back. If this goes well, I may launch future series this way. If it doesn’t, that’s life. This is an experiment and you get to participate! Yay! Science!

Wait… a new series? When did this happen?  The Newton’s Laws series started while I was working on CONVERGENCE POINT and was originally intended to be stand-alone short story. Once I started world building a whole new universe unfolded and I couldn’t say no to giving these characters new novels.

 

How romance-y are we talking here? The Newton’s Laws series will not be a radical departure from my previous books. All the things you love from the Heroes and Villains series (snark, flirting, beautifully intelligent people) and Time and Shadows (murder, mystery, mayhem, tech) will be featured in this series. The romance and the tech are equally important to the plot, so the series is a Science Fiction Romance. These kinds of stories appeal to readers who love SF and don’t mind kissing, and to Romance readers who are willing to give spaceships a try.

Are you going to give us an actual blurb for this book? Yes! In April there will be a full work up with a chance to read the blurb, meet the major players, and explore this new galaxy.

What about that other title I heard you talking about? BODIES IN MOTION is my next release, but it isn’t my only project. You’ve probably heard me talking about FOUNDATION STONES (fantasy) and FREE FALL (SF). Those projects are still being worked on. FREE FALL is almost ready to shop. FOUNDATION STONES would have been finished if BODIES had stayed a short story instead of a novel. You’ll get to read them eventually.

Are you still editing for clients? I am taking editing jobs in April and May. The absolute last turn in date for full manuscripts is May 15. The last day I’ll take smaller projects (query and blurb critiques) will be June 5th. Because of the unpredictability of traveling I won’t be taking editing clients until sometime After August 1st. I will make an announcement on the blog and social media when I reopen. If you need an editor over the summer and don’t know who to turn to, feel free to email me for a list of recommendations based on your genre and budget.

Twitter Pitch Etiquette #SonOfAPitch

March 6th there will be a #SonOfAPitch Twitter Pitch Party! What is a Twitter Pitch Party? How do you pitch? Why do you pitch? Here’s the quick and dirty details for all the Twitter Pitch debutantes out there!

What is it? A Twitter Pitch Party is an online event organized by writers, editors, and agents around a date and hashtag. During the event authors post a pitch (or logline) for their book with the appropriate hashtag. If an agent or editor likes the pitch, they’ll let the author know. The author will then send in a query along with requested pages. These queries will get top priority from agents and editors.

How do you pitch? It’s as simple as putting your pitch on twitter with the right hashtag! Going to be away from the keyboard all day? Use Tweetdeck to schedule tweets!

Why do you pitch? Did I mention that editors and agents give pitching authors priority when reading queries? It’s nice to get feedback fast. Over 60% of my full manuscript requests came from pitch parties. Even though I wound up with an agent I found through a traditional query process, the feedback from other agents helped me refine my early query.

Do’s and Don’ts:
Do use the hashtag.
Do be polite to other authors and anyone on the hashtag (but feel free to report spam).
Do keep a positive attitude.
Don’t spam the hashtag. As a general rule, tweet once every two to three hours (4 total tweets for the event).
Don’t tweet more than one book.
Don’t tag agents with your pitch.
Don’t pitch on twitter unless you are participating in an event.

Etiquette for authors on Twitter:
There’s a lot that can be said here, but let’s keep it simple: your twitter feed is part of your brand. Everyone – from potential agents to potential readers – will see your feed. So put your best foot forward. Make sure that someone reading your feed finds the same tone there that they will in your books. You want to keep a nice balance of book-related tweets (NASA tweets for the SF crowd, Teen Vogue tweets for the YA crowd, archaeology or Victoria tweets if you write historical fiction, ect), personal-tweets (pets… people love pets), and promotion (actual ads for your book should take up less than 10% of your feed).

Even before you publish, you want to make your Twitter feed (or whatever social media feed you use as your Home Base) a place that reflects you, your style, and welcomes new readers to stop by and say hi.

What you do put on Twitter: a real avatar (no eggs!), a good bio, a link to your website/author page, retweets of things that interest you, conversations with other authors, pictures of pets, pictures of your bookcase, pictures you, information about cool stuff in your hometown (I’ll be tweeting about the Iditarod this week), information about the research you’re doing for a new book, #WIPfire with a sentence from your latest story, fun stories about two people sharing a found wine bottle on the sub ride home.

What you don’t put on Twitter are things like: your address, your phone number, nude pics, complaints about how slow an agency is responding to your query, rants about how you could do so much better in self-publishing while querying, brag posts about how you’ve never read a genre but are totally going to rewrite it because you are a genius, or hate-filled screes against anyone (with exceptions for football season and March Madness… sports rants can be forgiven).

What if an agent or editor starts chatting with me on Twitter? Be friendly and keep talking. I’ve met some fabulous people who offered me stellar advice for free just because we happened to be Twitter-friends. Done right, social media can be an amazing networking tool, especially for people who live in remote locations (like me!), are anxious in crowds, can’t get to cons, or otherwise wouldn’t be rubbing elbows with people in the publishing industry on a regular basis.

Got questions? Hit the comment box and let me know what you’re worried about.

If you haven’t yet, be sure to check out the How-To Write A Pitch workshop, and post yours for feedback.

 

Friendsgiving Feedback Follow-Up!

Remember back in November when we did the free query critique thing? This morning, awesome news was in my in-box!

Just wanted to send you a quick thank you. I sent out my first batch of queries this month with the query you critiqued. So far, I’ve gotten 3 full requests and 1 partial. I’ve still got quite a few outstanding queries, but I wanted to let you know how much I appreciated your assistance. 
– AUTHOR

Prior to the query critique this author felt they were struggling. The original query wasn’t getting much traction. With the new query… four sent queries, four page requests. I really loved the query and the premise of the book, and I’m hoping the author will email me soon to say they’ve signed with an agent!

I don’t have any more critique-giveaways planned at the moment (but I probably will later this year) you can always book a Query Packet Critique if you want me to help you with your query, first five pages, and synopsis.

 

What’s Ahead In 2017

If 2016 was the year I was busy behind-the-scene, 2017 is the year you get to finally see all those stories I’ve been teasing for the last twelve months. Big things are coming and I’m excited.

SPRING RELEASES
THE DARKNESS AND GOOD ANTHOLOGY – a collection short stories written by Amy Laurens and myself. Most of these stories were first published on the Darkness & Good blog. The stories in the anthology have been edited, and in some cases expanded.
BODIES IN MOTION – In war, Selena Caryll and Titan Sciarra were bitter enemies. Now that the fleet is grounded and fighting for survival these two find that the best future is the one the build together (if they don’t kill each other first). This is a SFR novella that kicks off the new Newton’s Law universe.

SUMMER RELEASES
FOUNDATION STONES – Captain Kamara of the King’s Guard would rather see the king’s nephews hang than consider any of them as a replacement for her aging, childless liege, but when one of them frames her for the murder of the king… well, the enemy of her enemy is a man she’ll at least plan a prison break with. This is a fantasy novel that will be serialized on the blog over the summer.

FALL RELEASES TBA

WINTER RELEASES
FOUNDATION STONES – After being serialized on the blog I’ll collect the chapters, run through one more edit taking into account any comments left by readers, and publish the ebook in winter 2017.

 

Where am I moving this summer??? I still have no clue. My husband’s contract up here is ending and the people we’re renting from want to sell the house in July, so one way or another, we need to move in June. We have applications in across the country (and a few overseas) but I honestly have no idea where I’ll be at the end of 2017.

When are you going to write that one book? From Even Villains 4 to questions about Prime Sensations (will Kaleb’s brother get his own story?) there have been a lot of questions about adding to existing series. EV4 is on the schedule for writing after the move, but a lot of what get published in the fall and early 2018 depends on things in the background that I’m not supposed to talk about yet. The sooner a book sale announcement is made, the sooner I have to go edit that hush-hush novel. Take that as you will.

The other major factor here is that, this fall, my youngest starts kindergarten (you have no idea how weepy and old I feel saying that). I won’t just be in a new city, but I’ll have a whole new schedule to work with, one that allows me to have interruption-free writing time (theoretically… we all know how Murphy’s Law works in these situations). I’m keeping my fall schedule open to possibility. We’ll see what happens, where I am, and what deadline have magically appeared before I make any promises.

A Look Back At 2016

January 1, 2017, marked my two-year anniversary in Alaska. I spent 2016 learning to drive on ice (and not die), dodging moose (without dying), and chasing whales (while avoiding death). There was a bit of a theme in 2016.

I only had one book published in 2016, DECOHERENCE, but there was a lot going on behind the scenes. Let’s look at the writing stats.

Total Words Written In 2016: 364,000
Total Words Edited In 2016: 1,266,000
Best Writing Month: April
Best Editing Month: September
Worst Writing Month: July
Worst Editing Month: October
Projects Finished: 1 (Decoherence)
Projects That Will Be Finished Q1 2017 – 2 (Free Fall, Bodies in Motion)

Conclusion: I survived the winter slump that crushed me in 2015, yay! But October is consistently bad for me. There’s always a crush of business things to do, and a lot going on with school and family. But, my word count is improving and if I wasn’t writing daily, I was writing consistently. Honestly, even though it wasn’t my most productive publishing year, I think it went well. My writing improved a lot over the year. I finally figured out how to write a High Concept Pitch. And I think I’ve set myself up for a very successful 2017!

So… how was 2016 for you? Did you survive, or are you only reading this post because your crypt has wifi?