Book Your Content Edits Today

I am taking on new clients now!

 

For a limited time I am taking new clients. Editing slots are available between now and December 1st, but space is limited. Reservations are made on a first-come-first-serve basis.

Full novel edits usually take four weeks, full novella edits (under 200 pages) usually take 2 weeks. These are content edits, not line edits, and you will need to plan several weeks to edit your manuscript after I return it. If you are planning on releasing a new book before the winter sale season I recommend bookings a content edit between now and September 1st. If you are book a content edit you plan to query or publish during the Valentine’s sales season a turn-in date in October or November is recommended.

Please note that my fee schedule has changed from last year. Returning clients will continue to pay the standard $1/page. New clients will be paying at a per word rate of $0.005.

Mention this post when booking and receive 10% off!

Submission Packet Critique (synopsis, query, and first 5 pages) $25
Indie Author Special (blurb, 5 twitter pitches, and first 5 pages) $25 
First Chapter
(up to 20 pages)  $50.00 and a 1 work-week turn around time
Contest Critique (first 50 pages + blurb) $100
Full Manuscript Critique minimum fee of $100 (20,000 words and under pay a flat $100 fee) – $0.005 per word
Prewrite Consult (one-on-one time to help you develop the story before you write) starting at $20
A La Carte (add-ons and package deals) starting at $5
Emergency Fee to Jump the Queue  $50
* all page counts are double-spaced, Times New Roman, size 12 font, formatted for Microsoft Word *

To reserve a space please contact me at liana.brooks1@gmail.com

 

 

 

FAQ –

What genres will I edit?
Science fiction, fantasy, urban fantasy, paranormal, romance, and crime fiction for any age group. If it goes boom, bang, or crash, I can help.

Please note that at this time I am NOT taking erotica, extra hot romance (more than 4 sex scenes per book), horror, or gore/slasher books.

What does a full manuscript edit entail?
What I offer is a content or developmental edit. That means I read through your story looking for character development, pacing, plot, and weak points. I usually read through the manuscript 2-3 times leaving inline comments, and writing an editing letter that addresses your weak areas and helps you plan your next round of editing. Because editing isn’t always easy and you still need to bounce around ideas, full manuscript clients are invited to email me with follow up questions and concerns as they edit their manuscript. Previous clients also have first pick when I open my calendar and can book up to six months in advance.

What does a query critique/indie author special look like?
Both these packages include an honest critique of your query or blurb along with helpful feedback and up to three suggested queries/blurbs for you to build on. These will look very much like the free query critiques I’ve posted on the blog HERE. Pitches are the small ads you post on social media and pitch help will follow the same formula I used for #SonOfAPitch, HERE. The turn around time on these packets is usually 3-4 days and you can add the query/blurb critique to a full manuscript edit at any time.

Why would I get a partial critique?
Partial critiques are best for authors who are submitting a few chapters for a contest, or for authors who are on a budget but can’t afford a full manuscript edit. If you’re a self-starter who can take direction and apply a single line of critique to a whole book, the partial critique is the most economical option. You’ll receive the same feedback I’d give for a full manuscript critique, but only of the chapters you send.

Can I see a sample of your work?
Yes, you can! Several of my previous clients have graciously allowed me to share samples of their writing with my editing with you. If you’d like to request a sample, please email me.

Why should I hire you?
I’m cheap, I’m quick, and I know what I’m doing. There are lots of freelance editors out there. I know most of them, I’ve worked with some of them, and if I can’t fit you into my schedule I have a short list of editors I will happily recommend you to because I know you’ll be in good hands.

The main difference you’ll see from freelance editors is a difference in accessibility and style. I keep my prices low because I know there are many talented people working on a tight budget, and I want to see you succeed. I started as a newspaper editor in 2000, I’ve been critiquing fiction since 2005, I’m a published, hybrid author who has self-published, worked with a small press, and had three novels published by HarperCollins. I’ve worked with some of the best editors in the industry. I know my genres inside and out. I know what readers are looking for. I know what agents are looking for. I know how to help you make the book you’re working on be the best it can possibly be.

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